自20世纪80年代以来,在我国戏曲音乐界,经过理论家、作曲家们的反复探讨、争论,以及不断地实践与探索,在克服戏曲危机及争取现代观众的努力中,一些创作中面临的理论问题,已逐步取得了共识,出现了戏曲音乐创作观念的变化、更新与当代意识的萌动与觉醒。依笔者管见,作为戏曲 Since the 1980s, in the Chinese opera music industry, through the repeated discussions and controversies of the theorists and composers, as well as the continuous practice and exploration, in the creative efforts of overcoming the crisis of opera and striving for the modern audience, Theoretical issues have gradually reached a consensus, there has been a change in the concept of opera music creation, renewal and contemporary awareness of the germination and awakening. In my opinion, as a drama