吴光耀在《二十世纪-戏剧观念的多样化》(载《戏剧艺术》1986年三期)关于戏剧观念的重点从剧本转向演出一节中说,戏剧观念的开拓者大多数是导演,新观念又在推动演出实践向前发展方面起着积极作用。二十世纪戏剧在突破自然主义束缚以后走向了多样化,它的一个显著特点是重视演出形式的开拓。出现在这场革新运动最前面的阿庇亚、戈登·克雷、 In the section entitled “Twentieth Century - Diversification of the Concept of Drama” (in “Theater Arts”, 1986, Issue Three), the focus of the concept of drama was shifted from the script to the performance. In the section on drama, most of the pioneers of the concept of theater are directors and new The concept plays an active role in promoting the performance of the performance. Twentieth-century drama broke through the constraints of naturalism after the diversification, one of its salient features is the emphasis on the development of forms of performance. Appeared in the reform movement at the top of Apia, Gordon Clay,