虚拟,是中国戏曲依据写意的原理表现社会生活的创作方法,是在空旷的舞台上,演员用唱、念、做、打等艺术手段来调动观众的想象,让观众感觉到舞台上是个什么环境,有些什么物象,特别是剧中人物有着怎样的内心世界。明代戏曲理论家王骥德在《曲律》一书中说:“剧戏之道,出之贵实,而用之贵虚。”京剧作为中国戏曲艺术的代表,其虚拟性表现在多方面。空间的虚拟舞台上的环境, Virtual Chinese opera is based on the principle of freehand expression of social life creation method is on the open stage, the actors singing, reading, doing, playing and other artistic means to mobilize the audience’s imagination, so that the audience feel the stage is what the environment , What kind of image, especially the characters in the play have what kind of inner world. Wang Ji-de, a theorist of the Ming Dynasty drama, said in his book The Song of Melody: “The drama of the show is worthy of the utmost while the preciousness of the play.” Beijing opera, as the representative of Chinese opera art, shows its virtuality in many aspects . Space on the virtual stage environment,