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室生犀星是日本近代诗坛的宿将,他创造了现代日语的美的极限,将现代诗歌推向成熟与完善。他往往运用“移情”手法进行创作。本文拟以《抒情小曲集》为中心,以“青鱼”和“杏花”这两个中心意象来探讨在犀星的文学世界里自然风土是怎样与之关联的。
The living rhinoceros is a favorite of Japanese modern poetry circles. He created the limit of the beauty of modern Japanese and pushed modern poetry into maturity and perfection. He often use “Empathy ” approach to creation. This thesis intends to focus on the lyrical epistolary studies and explore the relationship between the natural terrains in the literary world of rhinoceros with the images of “herring” and “apricot”.