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编者按本专题聚焦建筑画在建筑师手中如何成为一件积极的工具,既带有学科的批判性(criticality),又表现建筑师独有的个体性(individuality)。王辉选取六位建筑师的画怍为案例,从古至今,从西到中,简要勾勒出绘画作为建筑师工具的小史,并对其工具性提出质疑。江嘉玮专注维欧莱-勒-迪克一生的绘画创作与其人生历程的影响,通过阅读该建筑师的图档、通信、日记等资开展了一次精彩的个案研究。
The editor focused on how the architectural painting became a positive tool in the hands of architects with both the criticality of the discipline and the unique individuality of the architect. Wang Hui selected the paintings of six architects as a case. From ancient times to the present, from the west to the middle, Wang Hui briefly sketched the history of painting as a tool for architects and questioned its instrumentalities. Jiang Jiawei focuses on the life of Violle-Le-Dick throughout his life and has done a wonderful case study by reading the architect’s drawings, communications and diaries.