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二十世纪四十年代中国特殊的战争背景使中国的女性文学改变了自身的发展轨迹,其主流走上一条在取材与主题上都与男性文学趋同的道路,“性别解放”的任务被暂时搁置,女性作家的创作也不同程度地出现了女性意识淡化或女性书写雄化、无性化的倾向。但是,她们追寻“五四”先驱的脚印,创作了一批富于“性别批判”内涵的文本。尽管在强大的民族国家语境中,她们的创作只能处于边缘位置,甚至受到一些不公平的待遇,但她们的存在毕竟丰富了文学的发展,为女性解放和女性文学的进步做出独特的贡献。
The special war background in China in the 1940s changed the Chinese female literature to its own development path. The mainstream took a path that converged with male literature both in material and subject matter. The task of “gender liberation” Temporarily shelved, the creation of female writers also appear to varying degrees, the decline of female consciousness or female writing male, a tendency of asexualization. However, they pursued the footsteps of the pioneers of “May Fourth Movement” and created a series of texts rich in “critical criticism”. Although their creations can only be marginalized and even unfairly treated in the context of a strong nation-state, their existence enriches the development of literature, in particular, and makes a unique contribution to the liberation of women and the progress of women’s literature contribution.