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在天渡楼“十七世纪墨迹”之收藏与研究中,笔者有目的地对江南女性、闺塾师们的作品予以了关注。所藏周淑禧、黄媛介与梁孟昭的作品,更是让笔者坚定了这样一种认知:她们超越了闺阁的空间限制,从而经营出一种新的妇女文化和社会空间。当然,这一判断的原文来自哥伦比亚大学历史学教授高彦颐(Dorothy Ko)夫人的名著《闺塾师》。更加让笔者深信不疑的却是高教授的另一个判断:“时至今日,我们对明末清初社会变化本质认识太少!”
In the days of Ferry “Seventeenth Century ink ” collection and research, the author purposely on the southern women, girls school teachers who have paid attention to the works. The works by Chou Shu-hsiu, Huang Yuan-she and Liang Mengzhao include the author’s firm belief that they transcend the space constraints of boudoir and thus operate a new kind of women’s culture and social space. Of course, the original text of this judgment comes from the famous book “Young Girl Teacher” by Mrs. Dorothy Ko, Professor of History at Columbia University. Even more convincing of the author is another judgment of Professor Gao: “Nowadays, we know too little about the nature of social change in the late Ming and early Qing dynasties!” "