本文运用文献资料法、比较分析法对京剧里的青衣行当与西洋歌剧里的抒情女高音概念上的比较,分析研究中国京剧“青衣”与西洋歌剧“抒情女高音”的演唱风格。笔者认为分析青衣与抒情女高音在呼吸、发声、共鸣、语言等方面的异同,结合青衣的发声元素与抒情女高音高音唱法,可以更恰当的掌握带京味唱腔作品的演唱风格,演唱风格特点与时俱进。 This article uses literature and comparative analysis to compare the concept of lyrical soprano in the opera of Tsing Yi in Peking Opera and Western operas, and analyzes the singing style of Peking Opera, Tsing Yi and Western operas Lyric Sopranos . The author thinks that the similarities and differences of breathing, vocalization, resonance and language between Tsing Yi and lyric soprano can be analyzed more properly by combining the singing elements of Tsing Yi and lyric soprano treble singing, which can better grasp the singing style, style of singing style and Advancing time.