編辑同志: 看了“筒汛”75年第四期刊登的“琵琶音质测量的初步报告”一文,感到很高兴。我是一个琵琶演奏员,对琵琶的改革和探索研究也十分关心。正如音质测量报告中所指出的,琵琶的主要问題是音量和音质的问因。琵琶的音量太小,在空阔的练乐室或西洋管弦乐队中琵琶的声音显得微小。配器的同志在激烈的乐殴中常采用琵琶扫弦演奏的手法,而它优美的音 Editor’s Comrade: I am very pleased to read the article “Preliminary Report on Sound Measurement of Pipa” published in the fourth issue of “Tube Flood” in 1975. I am a pipa player and I am also very concerned about the reform and exploration of the pipa. As pointed out in the sound quality measurement report, the main problem of the pipa is the question of volume and sound quality. The volume of the pipa is too small, and the sound of the pipa appears minimal in the spacious practice room or Western orchestra. In the fierce beatings, gay comrades often use the pipa strumming technique, and its beautiful sound