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让-雅克·阿诺是法国著名导演,其作品向来被视为文化多样性背景主导形态下的产物。从1977年发端的《高歌胜利》,到晚近的《狼图腾》,阿诺一直孜孜不倦地探究其他民族各异或相通的文化和文明,并融合而为影像的“多元复调对话”格局。可以说,从多样性文化切入,是观察、研究其影像发生、发展、创新与成就的最有力视角。文章从身份意识、叙事美学、文化想象三方面,分析阿诺电影的审美特征。
Jean-Jacques Arnault is a famous French director whose work has always been regarded as the product of the dominant form of cultural diversity. From the song-triumphant victory that started in 1977 to the recent “Wolf Totem,” Arnold has been tirelessly exploring the cultures and civilizations that are different or interlinked with each other and merging into a multi-polyphonic dialogue . It can be said that cutting from a diversity culture is the most powerful perspective for observing and studying the occurrence, development, innovation and achievements of its images. The article analyzes the aesthetic characteristics of Arnold’s films from three aspects: identity consciousness, narrative aesthetics and cultural imagination.