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中国古代的书法教育是一门注重技能的文字书写教育。但随着书写工具和形式的改变,书法存在的价值逐渐被削弱,然而,随着书法实用功能的削弱,书法的艺术审芙功能却被保留下来并得到进一步的凸显,成为当代视觉艺术的重要组成部分。针对高等书法艺术教育中“技”与“艺”的关系研究,是对书法书写技术与视觉艺术芙的深层探究,本文通过未光潜与宗白华两位先生在美学,理论上的观点,对书法视觉芙感进行深层次的梳理与探究,从而给予当代书法新的理论内涵,在书法艺术的视觉审芙上,彰显其新的生机与活力。
Ancient Chinese calligraphy education is a skill-oriented writing education. However, with the change of writing tools and forms, the value of calligraphy gradually diminishes. However, with the weakening of the practical functions of calligraphy, the art review function of calligraphy has been retained and further highlighted, becoming an important contemporary visual art component. In the higher calligraphy art education, the study of the relationship between “technique” and “art” is a deep exploration of the calligraphy writing technique and the visual arts. Through the analysis of the relationship between the two techniques of aesthetics and theory From the perspective of the visual sense of calligraphy deep combing and exploration, so as to give the contemporary theory of the new meaning of calligraphy, calligraphy in the visual review, highlighting its new vitality and vitality.