一、佛教“反美学”构建艺术美根据《四十二章经》记载,佛教初传于东汉末年,佛教的传入,对中国文化艺术有着举足轻重的作用。不仅今天的许多文化词汇来源于佛教文献典籍,而且佛教哲学理论和佛教造像绘画也推动着整个中国绘画史的发展。随着佛教的传入,中国佛教绘画也流传开来,但今天除能见到少量东汉至三国时期的早期佛教造像外,已 I. Buddhism “Anti-Aesthetics ” Constructing Art Beauty According to the “42 Chapters”, Buddhism was first introduced in the late Eastern Han Dynasty. The introduction of Buddhism plays an important role in Chinese culture and the arts. Not only many of today’s cultural lexicons derive from Buddhist documents, but Buddhist philosophical theories and Buddhist figurative paintings also contribute to the development of the history of Chinese painting. With the introduction of Buddhism, Chinese Buddhist paintings are also circulating. Today, apart from being able to see a few early Buddhist statues from the Eastern Han Dynasty to the Three Kingdoms,