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被誉为歌剧殿堂设计师的威尔第恐怕不会想到,一百多年后的人们会将他的歌剧《阿依达》从舞台搬到了体育场。作为首届北京国际戏剧演出季的开场剧目(2003年9月27、28日于北京工人体育场),大型景观歌剧《阿依达》又一次给人们的视听感受以新的震撼。如果说《图兰朵》是这种视听新震撼的首次尝试,《阿依达》则是这种新震撼的进一步拓展和延伸。这种震撼的背后,恐怕不仅仅是某个场景性的认
Verdi, hailed as the architect of the opera house, will probably not think of it. More than a hundred years later people will move his opera “Aida” from the stage to the stadium. As the opening repertoire of the first Beijing International Drama Festival (Beijing Workers’ Stadium on September 27 and 28, 2003), the large-scale opera “Aida” once again gives people a new sense of seeing and hearing. If “Turandot” is the first attempt at this new visual aesthetics, “Aida” is a further expansion and extension of this new shock. Behind such a shock, I am afraid that is not just a scene recognition