今天我们在这里集会,隆重纪念我国革命戏剧的奠基人之一、中华人民共和国国歌歌词作者田汉同志诞生九十四周年,纪念中国左翼剧联成立六十周年,重温中国共产党领导戏剧事业历史,以求弘扬无产阶级文艺的光荣传统,取得社会主义文化的繁荣昌盛。我国现代戏剧的发展,大体上和本世纪的社会变革同步前进。辛亥革命前后,早期话剧即文明戏在反对清王朝的专制统治中发挥了积极的宣传鼓励作用;“五四”前夕,文明戏没落了,代之而起的出现了爱美戏剧(即非职业戏剧)的浪潮。在“五四”新文化运动的光辉照耀下,中国话剧成为进步知识分子用来批判旧思想、旧道德、旧文化的武器。从“五四”运动到“五卅”运动,从第一次国共合作到北伐战争,人民大众反帝反封建的浪潮席卷全国,中国社会出现了空前的思想大解放,中国话剧充满了生机,一批反映现实生活的社会问题剧相继出现,从婚姻问题、家 Today we meet here and solemnly honor one of the founders of the revolutionary drama in our country. Comrade Tian Han, the author of the national anthem lyrics of the People’s Republic of China, was celebrating its 90th anniversary in commemoration of the 60th anniversary of the founding of the Left- In order to carry forward the glorious tradition of proletarian literature and art and obtain the prosperity and prosperity of socialist culture. The development of modern drama in our country basically goes hand in hand with the social changes of this century. Before and after the 1911 Revolution, Civilization Drama, an early drama, played an active role of propaganda and encouragement in opposing the dictatorship of the Qing dynasty. On the eve of the May 4th Movement, no civilized drama took place, Drama) wave. Under the shining of the May Fourth New Culture Movement, Chinese drama has become a weapon used by progressive intellectuals to criticize old ideas, old morals and old cultures. From the May Fourth Movement to the May 30th Movement, from the first cooperation between the Kuomintang and the Communist Party to the Northern Expedition, the wave of people’s anti-imperialism and anti-feudalism swept across the country. In China, unprecedented liberation of thought emerged. Chinese drama was full of vitality, A series of social issues that reflect the real life have emerged one after another from the issue of marriage