放在摄影技术时代,列宾的《意外归来》算得上是一幅出色的抓拍作品。一位革命者,在流放多年后归来。他步履沉重、身形瘦削、满脸胡茬,穿着陈旧的粗呢大衣。不速之客踏入家门的那一刻,打破了客厅的宁静。坐在沙发上的母亲颤巍巍地站了起来,悲喜交加;坐在琴凳上的妻子停止了弹奏,转过身来;年长一些的儿子若有所悟,微张的嘴似乎要叫“爸爸”;尚处年幼的女儿满眼惊惧,不知所措。靠门的墙上,挂着作家车尔尼雪夫斯基 In the era of photography, Repin’s “unexpected return” was considered a brilliant snapshot. A revolutionary, returned years after exile. He walked heavily, stature, stubble, wearing an old thick coat. Uninvited guest into the house at the moment, broke the quiet living room. The mother sitting on the couch trembled sadly and sympathetically; the wife sitting on the bench stopped playing and turned around; if some of her older sons understood, her mouth seemed to be Called “Daddy ”; young daughter still frightened, overwhelmed. By the door of the wall, hung the writer Chernyshevsky