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本文通过对王安忆连续发表的三部中篇小说:《叔叔的故事》(1990年)、《歌星日本来》(1990年)和《乌托邦诗篇》(1991年)的详细分析,试图走进王安忆的精神世界。因为这三部作品分别以过去、现在和未来三个时间向度来重新整合80年代破碎了的精神传统,从时间的向度上能较为清晰的看到王安忆的精神轨迹。透过这种努力我们看到王安忆的精神内迹充满了矛盾和困惑,而这样的精神救赎在当时的文化环境下最终使她陷入“高处不胜寒”的境地。
This article attempts to walk into Wang Anyi’s detailed analysis of three consecutive novels published by Wang Anyi, “The Uncle’s Tale” (1990), “Pop Star Japan” (1990) and “Utopia Psalm” (1991) Spiritual world. Because these three works respectively reconciled the broken spiritual tradition of the 1980s with three dimensions of past, present and future, respectively, the spiritual trajectory of Wang Anyi can be clearly seen from the perspective of time. Through such efforts, we can see that Wang Anyi’s inner workings are full of contradictions and confusion, and such spiritual salvation eventually led her into a situation where “heights are high and cold” under the current cultural environment.