文学上的“尾声”在名称上经过了长时间的演变,最终定格在“尾声”一词。元散曲中,南曲中的“尾声”与北曲的“尾声”相比,无论从名称还是结构上,都各有特点。在作用上,尾声又体现在音乐以及文学两个方面。 Literary “tail ” in the name after a long period of evolution, eventually freeze in the “end” of the word. Yuan Sanqu, in the song “tail ” and “song ” compared to the North, both in name and structure, all have their own characteristics. In effect, the end is reflected in the two aspects of music and literature.