现当代文学史上很少有女性漂泊的主题,漂泊历来属于强悍的男人。陈染等女性创作者选择女性精神独立的方式是走进了“房间”。安妮宝贝已突破了这一点,尽管她并没有女权写作意识。她选择的方式是漂泊。在安妮宝贝的漂泊中,孕育着新的社会历史背景。 Few modern women in the history of modern literature on the theme of wandering, boating has always been a tough man. Chen and other female creators choose female independent way is to enter the “room ”. Baby Anne has broken through this point, though she does not have a sense of feminism writing. The way she chooses is drifting. In the adventures of Baby Anne, pregnant with a new social and historical background.