中国山水审美意识的滥觞与确立大致经历了四个阶段,即儒家的比德观,道家的天人合一观,魏晋文人爱山水的时尚,自唐以降人们对江山之助说的丰富与完善。孔子与庄子的意义在于发微,魏晋文人的意义在于确立,唐人的努力在于推广,其合力形成了中国士大夫的山水审美意识。 The origins and establishment of the aesthetic consciousness of Chinese landscapes have generally gone through four stages: the Confucian concept of harmony between nature and man, the love of landscapes of the Wei and Jin dynasties, and the abundance of perfect. The significance of Confucius and Zhuangzi lies in the fact that the significance of the literati in the Wei and Jin Dynasties lies in their establishment. The efforts of the Tang people lie in their promotion, and their synergy has formed the aesthetic awareness of Chinese literati and their landscapes.