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在中国古典美学的历史长河中,贯穿着丰富而生动的生命意识研究。20世纪四五十年代,生命意识的研究再度在中国美学界兴起。宗白华先生在“五四”时期提出的对魏晋美学研究的见解,既体现了中国传统美学研究的基本规律、重构了中华美学精神,也暗合了魏晋时期舞蹈艺术的风格特征。本文以宗白华先生的美学思想为理论依据,将魏晋舞蹈艺术风格作为主要研究对象,分别从他所提出的“生命活力论”、自由人格和个性主义表现手法、人生艺术化的审美价值三个方面,结合魏晋舞蹈的具体史料进行分析,为研究魏晋舞蹈美学给予启发与思考。
In the long history of Chinese classical aesthetics, it runs through a rich and vivid study of life consciousness. In the 1940s and 1950s, the study of life consciousness once again emerged in Chinese aesthetic circle. The opinions of Zong Baihua on the study of aesthetics in the Wei and Jin Dynasties raised during the May 4th Movement not only embodies the basic laws of Chinese traditional aesthetics research but also reconstructs the spirit of Chinese aesthetics and also embodies the style of dance art in the Wei and Jin Dynasties feature. Based on the theory of Zong Baihua’s aesthetics, this article takes the Wei and Jin dances as the main research object. From the perspectives of his theory of “vitality of life”, free personality and individualism, aesthetic art of life Value three aspects, with the specific historical data of Wei and Jin dynasties for analysis, for the study of Wei and Jin dances aesthetics to give inspiration and thinking.