论文部分内容阅读
神话的神圣性最初的是体现在其产生的环境中。然而在书本的时代,这种神圣性是否依然可以与口传一样继续保持呢。本文就是以《精卫填海》等诸多神话为例,通过分析我国古代神话的意境,从我国古代神话的宏大特点,来透视这种神圣性的建构基础。主要包括三个部分:(1)从神话的定义中来分析其神圣性的展现。(2)对《精卫填海》等诸多神话故事的意向空间的透视。(3)将我国远古神话神圣色彩的建构加以概括。
The sacredness of mythology was initially manifested in the environment in which it was created. However, in the age of books, can this sanctity continue to be preserved as much as in oral traditions? This article takes “Myeongjong Reclamation” and many other myths as an example. Through the analysis of the artistic conception of ancient myths in our country and the grand characteristics of ancient mythology in our country, this article tries to see the basis of this sacredness construction. Mainly includes three parts: (1) from the definition of myth to analyze the sacred show. (2) a perspective on the space of intent of many mythical stories such as “Jingwei Reclamation”. (3) To summarize the construction of the sacred color of ancient myths in our country.