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在上世纪五六十年代,一大批远见卓识的建筑师联合掀起了一场轰轰烈烈的反对现代主义的思潮,即称为新古典主义。以文丘里、格里夫斯为代表的建筑师的作品中继承与发扬传统精神,突破现代主义的条条框框,在历史中寻找建筑发展的契机。新古典主义如一把历史的比例尺,在现代与过去之间巧妙地找到了人们所希望的平衡点。本文从符号学的角度,对新古典主义建筑展开研究,希望对我国建筑发展有一定指导意义。
In the fifties and sixties of the last century, a large number of long-established architects set off a vigorous wave of opposition to modernism called neoclassicalism. In the works of architects represented by Venturi and Greaves, they inherit and carry forward the traditional spirit and break through the box of modernism to find an opportunity for the development of architecture in history. Neoclassical as a historical scale, between the modern and the past, cleverly found the balance of hope. This paper studies the neoclassical architecture from the semiotic point of view, hoping to give some guidance to the development of our country’s architecture.