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当我们提人物形象时,已不是人物的原始形象,而是记者在原有表象基础上经过提炼、改造而形成的新形象,这种形象与表象是具有本质差别的,它是概括人物本质特征的高级形式。人物形象从形式上看是感性的,但它是各种表象和有关的概念、观念、理论的有机结合。请看《为了周总理的嘱托》中的一段” “1970年春天。一场冰雹,把棉苗打成光杆。可是,棉苗不管枝断叶残,仍然顽强地继续抽芽。就在这个时候,吴吉昌拄着拐棍在村头出现了。人们三三两两兴奋地转告着:老汉又站起来了!” 这里表现出的是一位老汉坚强不屈、不懈追求的典型形象,尽管用了一个非常普通的表象——老汉在冰雹过后拄着拐棍站在村头。但它是包含整个人物性格特征的表象,它是作者在把形象感觉与形
When we mention the image of a person, it is no longer the original image of the person, but a new image formed by the reporter after being refined and transformed on the basis of the original image. This image is essentially different from the appearance, which is a summary of the essential characteristics of the person Advanced form Character image is formally emotional, but it is the organic combination of various appearances and related concepts, concepts and theories. Look at the passage “For the Order of Premier Zhou” in the spring of 1970. A hail, the cotton seedling labeled polished rod. However, regardless of the branches and leaves of cotton seedling residue, still stubbornly continue to bud. It was at this time that Wu Jichang appeared on the village head with a walking stick. The people told us excitedly that the old man stood up again and again! "Here is a typical example of an old man who is unyielding and unswerving pursuit, despite the very common appearance that the old man stands with a walking stick after the hail However, it is the image that contains the character of the whole character, which is the author in the image perception and shape