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本文认为文学地理学批评存在的前提是人与自然的对话。文学作品中人与自然之间的对话常常以三种方式存在:写实性的对话方式、想象性的对话方式和象征性的对话方式,这三种方式可以作为文学地理学批评的主要研究对象。而人与自然之间也形成了三种对话模式:父性对话模式、母性对话模式和神性对话模式,这三种模式则可以作为文学地理学批评的基本内容而存在。此三种对话方式与三种对话模式,构成了文学地理学批评重要的理论范畴与理论形态,又成为文学地理学批评的实践基础。此理论形态与研究领域同时形成了文学地理学批评独特的个性,使其在内容与形式上有了不同于其他文学批评的形态。而只有人类与自然形成了一种互动与审美的关系,自然的风雨为人类提供了赖以生存的物质条件和精神情感上的愉悦,人文的风雨亦成为生气勃勃之大自然的精神内核与进化动力,这个星球才会因为拥有人类与自然这两种元素而趋向完美。所以,文学地理学批评得以存在的前提与基础,便是人类与自然平等友好的对话与和谐共生。
This paper argues that the premise of literary geography criticism is the dialogue between man and nature. In literature, the dialogue between man and nature often exists in three ways: realistic dialogue, imaginary dialogue and symbolic dialogue, which can serve as the main research object of literary geography criticism. There are also three types of dialogues between man and nature: fatherhood, motherhood and divine dialogue. These three modes can serve as the basic content of literary geography criticism. The three modes of dialogue and the three modes of dialogue constitute the important theoretical categories and theoretical forms of literary geography criticism and become the practice basis of literary geography criticism. At the same time, this theoretical form and research field have formed the unique personality of literary geography criticism, making it different from other forms of literary criticism in content and form. However, only mankind and nature have formed an interactive and aesthetic relationship. The natural wind and rain provide mankind with the material conditions and spiritual and emotional pleasure upon which human beings live. The humanistic storm is also the spiritual nucleus and evolution of the vibrant nature Power, the planet will be because of the human and nature have these two elements tend to perfect. Therefore, the precondition and basis for the existence of literary geography criticism is the friendly and friendly dialogue and harmonious coexistence between mankind and nature.