“气韵”是中国舞美学特征的核心,它贯穿于形体运动和情感表现的始终。中国古代哲学家老子日:“万物负阴而抱阳,冲气以为和。”中国舞训练从基本动律元素到主、支干教材动作再到短句、表现性组合的训练“气韵”的精气贯穿始终,可谓是中国舞蹈艺术的不二法宝。气韵——中国舞蹈审美核心南朝著名文人钟嵘在《诗品序》中说:“气之动物,物之感人,故摇荡性情,形诸舞咏。”这句话指出了舞蹈的物质动因在于宇宙“气”的运化——由于“气”的运动引起物的运动和变化,从而感发了人的精神,激荡起人的体性。当人 “Qi Yun ” is the core of Chinese dance aesthetics, which runs through physical movement and emotional expression from beginning to end. Chinese ancient philosopher Laozi Day: “Everything is negative and holding the yang, inflaming and.” “Chinese dance training from the basic elements of the movement to the main, supportive teaching materials to short sentences, the performance of the combination of training” Qi Yun “essence of the essence throughout, can be described as the best of Chinese dance art. Charm - The Aesthetic Core of Chinese Dance Zhong Rong, a famous scholar in the Southern Dynasties, said in his ”Preface to the Poem“ that ”the angry animals, the touching things, the shaking nature and the dancing dances“ point out the substance of dance The motive is that the movement of the universe ”qi “ - as a result of movement of ”qi " movement caused by the movement and change, which inspired the spirit of the people, stirring up the human body. When people