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2010年的十一月下旬,我应邀出席了上海音乐学院主办的“2010全国高等音乐艺术院校二胡教学创作学术论坛”。这期间,恰逢《闵惠芬二胡艺术研究文集(第二卷)》的首发式,我出席并欣获由闵惠芬女士本人题签的精装本“第二卷”。当我拿到这本“研究文集”(第二卷)、看到封面上那熟悉的闵惠芬操琴的照片时,似乎体味到了从未有过的感悟。说实话,这是我第一次那么认真地凝视这张早已看过多次的照片,但都没有这一次感到那么地震撼。这是一幅人琴合一、浑然天成的、表现着生命旋律的照片。那凝重而传神的双眸、那充满音乐内涵的面部表情和潇洒大度的演奏姿态,似乎是在借助琴声向人们诉说着人间的悲欢离合与无尽的
In late November 2010, I was invited to attend the “2010 National College of Music and Arts Erhu Teaching Creation Academic Forum” sponsored by Shanghai Conservatory of Music. During this period, coincides with the “Min Huifen Erhu art research volume (Volume II)” of the first episode, I attended and won the hardcover book by Ms. Min Hui Fen’s own hardcover “second volume ”. When I got this “research volume” (Volume II), see the cover of the familiar Min Hui Fen Cao piano photos, it seems to appreciate the sentiment has never been. To tell you the truth, this is the first time I’ve stared at this photo that I have read many times, but none of them felt so shocked this time. This is a one-man piano, totally natural, showing the life of the melody photos. That dignified and vivid eyes, it is full of musical connotation of facial expressions and smart and generous gesture, seems to be using the piano to tell people the joys and sorrows and endless