我没有看张爱玲《色·戒》小说原著,所以在看电影的时候不存在先入为主的概念。尽管看到的是已经被大量删节的版本,但是还可以从中看到李安无处不在的聪明和机智。他的举重若轻的叙述,他的不动声色的表现力,他对演员的控制和对影片节奏的把握,以及李安那种特有的悲天悯人的情怀、善意,贯穿和浸透了这部作品。它不让你流泪,却让你难过。它不让你伤感,却让你失落。一个叫王佳芝的女学生,因为爱上了一个爱国青年邝裕民而加入了暗杀团。而这个她爱的人最后却派她去色诱当汉奸的易先生。王佳芝在和易先生的交往中,在床笫之间假戏真做,动了真 I did not read Zhang Ailing’s novel “Color and Caution”, so there is no preconceived concept when watching movies. Despite seeing the version that has been largely abridged, you can also see Lee’s ubiquitous cleverness and wit. His slightest narration, his implicit expression of power, his control of the actor and his grasp of the rhythm of the film, and his unique, compassionate, well-meaning, penetrating and permeating work. It does not make you cry, but it makes you sad. It does not make you sad, but let you lose. One female student, Wang Jiazhi, joined the assassination group because she fell in love with a patriotic young man, Kwong Yum-ming. And the one she loved finally sent her to seduce Mr. Yi, a traitor. Wang Jiazhi and Mr. Yi’s exchanges, between the bed undertaking fake really true, move true