针对人遭受技术文明与现实社会压抑的问题,马尔库塞提出了基于艺术与审美的新感性,并力图以此为基础建构一个审美生活世界。在新感性与审美生活世界的重建之中,商业化、急功近利与对低级趣味的迎合等,是当代文艺创作与研究必须克服的重要问题。亟待解决的任务是:克服大众艺术一味工业化与市场化的严重弊端,以及批判与遏制凭借非人性技术所实现的变态的娱乐主义。艺术尽管被赋予了进步与解放的神圣使命,但这种使命的实现无疑是极其艰难的。因为,一切艺术与审美仍然可能被技术、世俗与现行体制所同化,从而丧失原初的反叛与解构的本性与力量。与此同时,任何理论都必须在与现实的对话中拓展思想道路。在这个全球化时代,新感性及其对艺术与审美生活本身的切近,进而关注艺术、审美与人伦之间的相互生成,依然是审美生活世界的当代重建所应当探究的重要课题。 In view of the problem that people suffer from the suppression of technological civilization and the real society, Marcuse proposed the new sensibility based on art and aesthetics, and tried to construct a world of aesthetic life based on it. In the reconstruction of the new sensual and aesthetic world, commercialization, quick success and cateredness to low interest are the important issues that must be overcome in contemporary literary and artistic creation and research. The urgent task to be solved is to overcome the serious drawbacks of mass art in the blind industrialization and marketization as well as the amusement of criticism and suppression of the perversions realized through nonhuman techniques. Although art has been given the sacred mission of progress and liberation, the realization of this mission is undoubtedly extremely difficult. Because all the arts and aesthetics may still be assimilated by technology, the secular and the existing system, thus losing the original nature of rebel and deconstruction. At the same time, any theory must broaden its path of thought in its dialogue with reality. In this era of globalization, the new sensibility and its closeness to the artistic and aesthetic life itself, and then to the mutual creation of art, aesthetics and benevolence are still the important topics to be explored in the contemporary reconstruction of the aesthetic life world.