在今天,围绕着身体或者身体艺术的各类创作仍然是最前卫的话题。而不可否认的是,女性作为创作的主体,在无论是男尊女卑的古代还是提倡男女平等的现代,她们更多的是作为一类特定的创作对象而存在。女性的身体已经成为艺术创作中一个特有的符号,充斥在象征权力、财富、美丽、性感、欲望的各种海报杂志、电视广告、摄影作品以及各类艺术创作之中。对于女性身体的认识以及女人是什么的定义,往往体现着男性的权利及其对女性行为与思想的规训。而栾伟丽一系列关于莲的油画作品,却给了我们提供了一个新的视觉,基于女性本身和对民族文化传统的认识,呈现出一种比较含蓄而温暖的生命意识和母性立场。 Today, all kinds of creation around the body or body art are still the most avant-garde topics. It is undeniable that women, as the main body of creation, have always advocated the equality of men and women in the ancient times, both men and women are inferior, they are more as a specific object of creation. The female body has become a unique symbol in the artistic creation. It is filled with various posters and magazines, television commercials, photography works and various artistic creations that symbolize power, wealth, beauty, sensuality and desire. The definition of what a woman’s body is and what a woman is is often a manifestation of the rights of men and their discipline of women’s behavior and thought. However, Luan Wei-li’s series of paintings about Lin give us a new vision. Based on the women themselves and their understanding of the national cultural tradition, they present a rather subtle and warm sense of life and a maternal position.