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临川派是我国戏曲史上成就斐然,风格灿烂的流派,它以有“东方之莎士比亚”之誉的汤显祖为巨擘,萃荟了一批风骨凛然的作家,如孟称舜 洪升、吴炳、阮大铖等,他们的审美情趣,题材风格都有着惊人的默契。本文试就其悲剧的爱情观和妇女观抒一孔之见,以求教于方家。 触题之前得廓清为什么我国古典戏曲的才子佳人戏占的比重那么大。爱情本是人生之大题,必有所表现,而这类戏如此之盛不能不令人惊奇。中国封建社会是漫长的,而进程是缓慢的。中国封建社会具有超稳定性结构。封建经
Linchuan School is a genre of brilliant and brilliant style in the history of Chinese operas. It takes Tang Xianzu, a reputation of “Shakespeare of the East” as its giant, and has collected a number of awe-inspiring writers like Meng Shishun Hongsheng, Wu Bing, Nguyen Duan, etc., their aesthetic taste, theme style has a surprising tacit understanding. This article tries to express my views on the tragedy of love and women, in order to learn from the family. Before the problem can clear why the proportion of Chinese classical drama genius beauty drama accounted for so much. Love is the big issue of life, there must be some performance, and such a show so grand can not be surprising. China’s feudal society is long, and the process is slow. Chinese feudal society has an ultra-stable structure. Feudal scriptures