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镜子与电影的异质空间爱丽斯梦游仙境的故事讲述了电影的本质。在故事里,爱丽丝通过镜子,一个异质化的空间,滑入幻境;在镜子里外,进进出出,其中的空间、故事、触感、记忆,有高有低、有甜有苦,有真有假。而电影,借着流动的光影,在一面薄薄通透的银幕上,创造出与镜子类同的异质空间,这个空间,存在又不存在,透过流动的影像跟生命的记忆对话;而当感觉随着影像流转起来,那些生命中不复记忆的深埋记忆,也回映在这片异质空间,荡出涟漪,而被重新发现、重新体验。
Heterogeneous Space of Mirror and Movie The story of Alice in Wonderland tells the essence of the movie. In the story, Alice slides into the illusion through a mirror, a heterogeneous space, enters and exits in and out of the mirror, where space, story, touch, memory, high and low, sweet and bitter, Really fake. The movie, by flowing light and shadow, creates a heterogeneous space on the thin and transparent screen similar to the mirror. The space exists and does not exist. It talks to the memory of life through the flowing images. When feeling the flow of images, the deep memories of those no longer memories in life are also reflected in this heterogeneous space, rippling and rediscovered and re-experienced.