陈国勇的笔下曾有一个满是臆语的世界,我称之为神魔图式或神魔界域。但是,无论多么光怪陆离,神魔共舞的图式总是或多或少地寓含着文化的溃败。当陈国勇以前倾的姿态亮旗于溃败的风中时,他便只能为我们留下一个侏罗纪公园式的神魔世界。我并不看好陈国勇在80年代中期以至整个90 Chen Guoyong’s writing once had a full of imaginary world, I call it the deity schema or the demon world. However, no matter how bizarre, the patterns of dance between gods and democrats always contain more or less the cultural defeat. When Chen Guoyong’s dashing gesture was bright in the rout of the defeat, he could only leave us a Jurassic Park-style Ghost World. I am not optimistic about Chen Guoyong in the mid-80s and even the whole 90