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艺术家村从实质上讲,是美术家试图让美术脱离政治宣传而不断努力的产物。如果说艺术的本质在于审美劳动的创造,那艺术成为单纯的政治宣传工具,则是一种“异化”。马克思在所说的“异化”实质是说做一件事情和其初衷相偏离。那么,艺术劳动的目的是为了创造艺术作品,是一种审美的创造劳动,而不是为了利润。同样,艺术如果只是为了政治服务,而没有进行艺术自律的思考和突破,那也没有完成审美的创造,同样也是一种“异化”。从这个意义上说,艺术家村的形成,有利于艺术家专注的思考与艺术有关的问题,艺术家“群居”在一起,谈的都是艺术的问题,呼吸的都是艺术空气,吃的都是艺术饭,和在体制内混饭吃相比,可以说从
The artist village is essentially a product of the artist’s continuous efforts to get the art out of political propaganda. If the essence of art lies in the creation of aesthetic work, then art becomes a purely political propaganda tool, which is a kind of alienation. Marx said in his “alienation” essence that one thing is deviating from its original purpose. So, the purpose of artistic labor is to create works of art, is an aesthetic to create labor, not for profit. Similarly, if art merely serves political purposes without thinking and making breakthroughs in artistic self-discipline, it will not accomplish aesthetic creation, nor will it be “alienated.” In this sense, the formation of an artist village is conducive to the artist’s concentration of his thinking on issues related to the arts. The artists’ “gregarious” together are talking about artistic issues, breathing all the artistic air and eating Is art rice, and mixed with rice in the system compared to eat, you can say from