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诗的“对仗”“对偶”的作用,宋代之前,突出地表现在诗赋、骈文的创作中。《丽辞》篇接下来说:故丽辞之体,凡有四对:言对为易,事对为难,反对为优,正对为劣。言对者,双比空辞者也;事对者,并举人验者也;反对者,理殊趣合者也;正对者,事异义同者也。长卿(司马相如)《上林》云:“修容乎礼园,翱翔乎书圃。”此言对之类也;宋玉《神女赋》云:“毛嫱鄣袂,不足程序,西施掩面,比之无色。”此事对之类也;仲宣(王粲)《登楼》
The role of poem “antithesis ” “duality ” before the Song dynasty, prominently manifested in the poem fu, 骈 prose creation. “Rhetorical” chapter goes on to say: Therefore, the rhetorical body, where there are four pairs: speech is easy, things are embarrassed, the opposition is excellent, right is inferior. Speakers of right and wrong, double than empty words are also; things to those who act side by side as well as those who oppose the interests of all; Changqing (Simaxiangru) “Shanglin” cloud: “repair almost ceremony garden, so far as book nursery. ” This remark on the class also; Song Yu “Goddess fu” cloud: “ Insufficient procedure, Shih Tzu mask, than colorless. ”This matter is also like; Zhong Xuan (Wang Tuan)“ ascend ”