当前,文艺界尤其是书画界有一种评判标准,谁能受市场欢迎、谁的经济收入高谁的水平就高。这个标准在某种程度上有其合理性,但又有很大的不确定性。以书法为例,许多能够投资书法的人并不见得真的懂书法,出于一定经济基础上的风雅追随或是跟风投资,他们把目光投向了书法市场。在没有书法知识和鉴赏能力的情况下,看名头、看简历、看媒体的炒作就成为他们取舍的标准,而这些依据往往脱离了书写水平的真实。一旦这些投资人厘清 At present, literary and art circles, especially the painting and calligraphy circles, have a standard of judgment. Who can be welcomed by the market and who whose level of economic income is high will be high. The standard is somewhat justified, but with a lot of uncertainty. Take calligraphy as an example, many people who can invest in calligraphy do not really understand calligraphy. They are paying more attention to the calligraphy market because they follow the style of economy based on a certain economy or follow suit. In the absence of calligraphy knowledge and appreciation of the circumstances, look at the name, see resume, to see the media speculation has become their choice criteria, and these bases are often out of the writing of the real. Once these investors clarify