论文部分内容阅读
赵树理的两部成名作《小二黑结婚》与《李有才板话》从不同侧面体现作者对革命政权下乡村由“旧”转“新”所依托机制的构想。作者理想中的乡村变革不仅是革命力量促生的“外发”性转变,更是一种“内生”性转变。它植根于乡村固有的社会关系、组织机能和文化构造,诉诸民众的精神构成与情理逻辑,造就乡村原有活力的“修复”与“再生”。这种转变虽然是高度政治性的,却以文化权力的转移为中介,并打造出一个与政治权力相平衡的、属于底层民众的文化权力层面。其作品触及、呈现某种属于民众的、非意识化的精神方式与转变逻辑,具有独特的认识价值。
The Two Masterpieces of Zhao Shuli ’s “Two Black Married Marriages” and “Li Youcai Diao Hua” embody the conceptions of the author on the mechanism of the countryside under the revolutionary regime from “old” to “new”. The author’s ideal rural transformation is not only the “extrinsic ” sexual transformation promoted by the revolutionary forces, but also a “endogenous ” sexual transformation. It is rooted in the rural inherent social relations, organizational functions and cultural structure, resort to the spiritual composition of the public and the logic of reason, creating the original vitality of the village “repair ” and “regeneration ”. Although such a transformation is highly political, it is mediated by the transfer of cultural rights and creates a cultural power that is at the lowest level in balance with political power. His work touches on and presents with some kind of non-conscious mental mode and transitional logic that belong to the people and has unique recognition value.