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本文从对应本雅明“光晕消逝”之角度,结合数码艺术作品的数字属性,展开四个层面来讨论数码艺术作品的复制性,以及其光晕的转化。
From the perspective of Benjamin ’s “Halo”, combined with the digital attributes of digital artwork, this article discusses the duplication of digital artwork and its halo transformation at four levels.