《黑暗之光》是台湾“新新电影”中的一部重要作品,本文分析了影片独具特色的镜头语言及场面调度,并探讨影片的形式与情感内核之间的关联。在此基础上,本文给予影片文化上的观照,力图揭示张作骥的作品及台湾“新新电影”的文化特征及其折射的台湾集体无意识。 “The Light of Darkness” is an important piece of work in Taiwan’s “New New Movies”. This article analyzes the film’s unique language and scene scheduling and discusses the connection between the form of the film and the emotional kernel. On this basis, this paper gives a cultural view of the film, trying to reveal the works of Zhang Zuji and the cultural characteristics of Taiwan’s “new movie” and its refraction of Taiwan’s collective unconsciousness.