在一首诗中,声音往往是一个决定性因素,它或者使一首诗连结成一个不可分割的整体,或者使一首诗全盘涣散。事实上,声音牵涉诗人的个性。独特的声音,是诗人个性的主要标志之一。主题或题材的花样翻新受到种种客观条件的限制,荷马或者萨福所使用的体裁,仍然为今天的诗人所沿用,而我们在这些题材中又表现了多少新意呢?但是声音的变化,却具有无穷的可能性。独特的声音既是诗人个性的内在要求,也是对诗人创造力的一个考验。对中国新诗来说,声音问题是一个 In a poem, the sound is often a decisive factor, it either makes a poem link into an indivisible whole, or make a poem completely dispersed. In fact, the sound involves the poet’s personality. The unique voice is one of the main symbols of the poet’s personality. The redesign of the theme or subject matter is subject to various objective conditions. The genre to be used by Homer or Sapphur is still used by today’s poets, and how much newness have we shown in these subjects? However, the sound changes With endless possibilities. The unique voice is not only the inherent requirement of the poet’s personality, but also a test of the poet’s creativity. For Chinese new poetry, the sound problem is one