故事片《祁连山的回声》中吴姐与田林诀别的描写之所以催人泪下,具有较大的感染魅力^_一个重要的原因,就是既写情又写理,情理并茂,而且自然贴切地相互交融。高尔基说:‘富有情感是最好的写作手段’。‘诀别’是《祁连山的回声》中所描写的人物感情发展的高潮,而这个感情高潮就是编导者运用高尔基说的‘最好的写作手段’所取得的显著艺术效果。吴姐知道田林此去将是永别,作为一个未婚妻,她是再也压抑不住内心深处爱情热流的泄露了,她亲昵地叫着田林的小名说:‘小山子,菜儿(也是吴姐的小名——引者注)她要我捎话给你,她说她不能照顾你了,希望你好好为革命尽力。’‘你和菜儿虽然没见过面,可她一直想着你。她要知道,你也这样惦着 An important reason why the depiction of Wu Jie and Tian Lin farewell in the feature film Qilian Mountain’s Echoes has a great appeal for infection is that he writes both emotion and writing reasonably and graciously combines nature with each other. Gorky said: ’Emotional feelings are the best way to write’. ’Farewell’ is the climax of the emotional development of characters depicted in the Echo of the Qilian Mountains, and this sentiment is the remarkable artistic effect made by the director in using Gorky’s ’best writing technique.’ Miss Wu know Tianlin this will be farewell, as a fiancee, she could no longer suppress the depths of the heart heat leak, she affectionately called Tian Lin’s nickname and said: ’Hill son, Cai Er (also Wu Sister’s nickname - Lead Note) She asked me to send a message to you, she said she can not take care of you, I hope you make every effort for the revolution. ’’ Although you and Cai Er did not meet, but she always thought of you. She needs to know that you are also timid