传统文化与当代雕塑的关系?它与外来的艺术样式相互对话,能否进行新的意义生成?在这样的背景下,“百物意用”从“百物”与“意用”两方面探寻当代雕塑创作实践的可能性。 The relationship between traditional culture and contemporary sculpture? Is it related to exotic artistic styles and can new meaning be generated? In this context, “everything is intended to be used” from “everything” and " Explore the possibility of contemporary sculpture creation practice with two aspects.