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本文通过爬梳与钩沉两百多个新诗选本,揭示出胡适新诗“尝试者”形象的形成演变过程及其漫画化特征。1920—1930年代,《尝试集》的接受视野尚未定向化,胡适被凸显为新诗草创期的先锋诗人。1940—1970年代,胡适形象逐渐被排斥在主流诗界之外,为高度统一的意识形态所压制。1970年代末以来,胡适被简化成为单一化的漫画化的“尝试者”形象;但1980年代中期以后,另一种倾向也开始出现,即许多选本开始自觉修正胡适被刻板化的“尝试者”漫画像。
This paper reveals more than two hundred new poems by picking up books and revealing the formation and evolution of Hu Shi’s new poem “try one ” and its comic features. From the 1920s to the 1930s, the acceptance view of “Attempt to Attempt” has not been oriented yet. Hu Shih is highlighted as the avant-garde poet of the new poem. From the 1940s to the 1970s, the image of Hu Shi was gradually excluded from the mainstream poetry circles and suppressed by the highly unified ideology. Since the late 1970s, Hu Shih has been simplified into a single comicized “artist” image. However, after the mid-1980s, another tendency began to emerge: that is, many anthologies began to consciously correct Hu Shi’s stereotyped “Try who” comics.