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在中国的古泉文化中,古泉美学作为一个专题,开展系列研究,还是一块处女地。中国独立发展起来的古泉文化,渊远流长、特色独具、异彩纷呈,可以说,一部中国古代货币史,不啻就是一部古泉文化美学史,值得我们认真拓垦并勤奋耕耘。1989年夏,我为应邀到复旦大学讲学的美国俄亥俄州立大学哲学系教授布洛克两次介绍中国古泉的美学向题,引起他极大兴趣,反过来也促使我深入探讨古泉美学的理论问题。中国古泉美学是一门新兴的学科,它是介于中国古钱币学和美学之间的边缘学科。从美
In China’s ancient spring culture, the ancient spring aesthetics as a topic, to carry out a series of studies, or a virgin land. The ancient Chinese culture developed independently in China has a long history with unique characteristics and colorful features. It can be said that a history of ancient Chinese currency is a history of ancient culture and aesthetics. It deserves our earnest development and hard work. In the summer of 1989, for two times, Professor Bullock, a professor of philosophy at Ohio State University who was invited to give lectures in Fudan University, twice introduced the aesthetic questions of China’s ancient springs and aroused his great interest. In turn, he urged me to further explore the theoretical issues of her. China Ancient Spring aesthetics is a new discipline, it is between China ancient numismatics and aesthetics of the marginalized subjects. From the United States