以杨自俭对福斯特的长篇小说《印度之行》的翻译和重译为中心,通过研究杨自俭在翻译与重译中所作的修改,从文学阐释学角度分析这一行为中的两个视域及其融合的过程,探究译本背后所体现的先见性与历史语境,从而对视域融合中译者的主体性有所理解。 Taking Yang Zijian’s translation and retranslation of Forster’s novel “Trip to India” as the center, by studying the changes made by Yang Zijian in translation and retranslation, this paper analyzes the two horizons in this act and its Integration process, to explore the translation of the vision behind the historical and historical context, so as to understand the subjectivity of the translator in the fusion of horizon.