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当代中国工笔画大师陈之佛在《中国色彩的优良传统》一文中提道:“六朝时代谢赫六法论,‘随类赋彩’,给中国绘画的色彩方法立下了写实的根本法则,而历代画家例如唐代阎立本的人物,李思训的山水,张萱、周昉的仕女,五代黄荃、徐熙,元代钱选,明吕纪的花鸟等等,其中色彩的丰富,都一直保持着用色的优良传统。”如今,在探索中国画的色彩,以及继承和发展中国工笔花鸟画方面,
In his article entitled “The Fine Tradition of Chinese Colors”, Chen Zhifu, the master of contemporary Chinese painting strokes, said: “The Sixth Theory of Xie He in the Six Dynasties and the Assignment of Colors with Different Classes set down the fundamental principle of realism for the color method of Chinese painting. Ancient painters, such as the Yan Li Ben Tang Dynasty characters, the landscape of Li Ssu-ling, Zhang Xuan, Zhou Xuan’s ladies, five generations of Huang Quan, Xu Xi, the Yuan Dynasty money selection, Ming Lu Ji flowers and birds, etc., of which the rich colors, have been maintained with Color fine tradition. ”" Today, in exploring the color of Chinese painting, as well as the inheritance and development of China’s skilled flower and bird painting,