论文部分内容阅读
最近,大家都在热烈讨论水墨的相关问题,诸如“新水墨”、“后水墨”、“再水墨”、“水墨,民族主义与世界主义”等文章及展览好像20世纪中国曾经遇到的问题又一次被提到议事日程上面,真有点继上世纪20年代“反文人画”、40年代“国画民族性”、50年代“十七年国画改造”、60年代“国画阶级性”以及80年代“国画穷途末路与新文人画”这些思潮后的又一次论争。总结中国现代美术理论史的经
Recently, there has been a heated discussion on issues related to ink and wash, such as “New Ink”, “After Ink”, “Re-Ink”, “Ink and Wash, Nationalism and Cosmopolitanism” Once again, the issues that China encountered in the 20th century were once again referred to the agenda. It really followed the 1920s “anti-literati painting”, “antiques of Chinese painting in the 1940s”, “traditional Chinese painting of the 1950s” Reform, “” 60’s “Classics of Chinese Painting,” and the 1980s “After the End of Painter’s Painting and the Tranditionalist” trends of these thoughts after another debate. Summarize the history of Chinese modern art theory