2006年,第三届全国少数民族文艺汇演上的蒙古族男性舞蹈是这般刚猛豪迈、气势恢弘。马背民族生产劳动的必需品——套马杆因其强烈的游牧生活的符号性而进入舞蹈作品。神具、餐具与工具以象征性的形式出现,萨满教、藏传佛教的影子频频闪现,民俗、自娱性或是宗教性舞蹈随处可见——这般多元化的因素糅合在一起,正是蒙古族舞蹈的真实写照。它是那样鲜明、豪迈、爽朗、刚猛,却又那般庄严、坚韧、温柔、自然…… In 2006, the Mongolian male dance on the Third National Minority Arts Festival was so bold and bold. Malay national necessities for the production of labor - Malaya entered the dance because of its strong symbolic nature of nomadic life. Scenes such as shamanism, Tibetan Buddhism, folklore, entertaining or religious dances appear everywhere - in a symbolic way, with such diverse elements as Mongolia, A true portrayal of ethnic dance. It is so distinctive, heroic, hearty, fierce, but so solemn, tenacious, gentle, natural ......