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《凯特妹妹》和《凯利帮真史》是澳大利亚当代作家重塑民族集体记忆的典范。二者都旨在重写历史:前者通过赋予女性讲诉自己故事的权力,来冲破男性主义的历史编纂学对女性的歪曲和压制;后者模拟了19世纪澳洲殖民地丛林汉的话语,并通过戏仿和互文手段对历史的虚构性进行反思性再现。二者都具有后殖民批判的维度:前者侧重披露殖民统治的后果,后者则致力于揭示殖民统治阶层对殖民地居民的压制以及受压制方展开的抗争。二者都力图颠覆男性阳刚气质的虚假表象:前者揭示男性阳刚气质的建构和维系需要通过一系列“排他”活动来实现,后者则通过聚焦“异性装扮”来揭示凯利帮男性气质的复杂与含混。对两部作品进行比较分析有助于厘清不同作家重塑民族集体记忆时的关注焦点和颠覆路径。
“Kate Sister” and “Kelly to help really history” is a contemporary Australian writers remodeling the collective memory of the nation’s model. Both are intended to rewrite history: the former breaks through the distortion and repression of feminism by masculine historiography by empowering women to tell their own stories; the latter mimics the passage of the jungle of the Australian colony in the 19th century Parody and Intertextuality Reproductively Reflect the Fictionality of History. Both have a post-colonialist critique: the former focuses on the consequences of revealing colonial rule, while the latter devotes itself to revealing the colonialist repression of the colonial colonies and the repression of the oppressed parties. Both seek to subvert the masculine masculinity of the false appearances: the former reveals that the masculinity of male masculinity needs to be structured and maintained through a series of “exclusive” activities, while the latter by focusing on “heterosexual dress” to reveal Kelly to help men Temperament complex and vague. A comparative analysis of the two works helps to clarify different authors’ focus and subversion paths in reshaping the national collective memory.