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潘仲连大师的这件五针松作品,在选材、立意、造型的全过程中紧紧扣住一个“情”字,选材与造景轻“柔”重“刚”。在造型的风格上,既保留了松的轩昂劲挺之大气,又未沿袭以往枝片平卧层叠、过于庄重之势,情系书画意趣,大胆营造下部枝条与右倾树冠相反的左倾跌宕之势,并将以往松冠的片状分割造型形式改变为非片状的、更为自然的、大小不同且疏密相间的块状空间占有形式。
Master Pan Zhonglian masterpiece of this five-pin pine works, in the material selection, conception, shape the whole process tightly withhold a “love ” character, material selection and landscape light “soft ” weight “just ”. In the styling style, not only retains the magnificent Songxuan atmosphere, but also not follow the previous branches of the cascade cascade, too dignified, sentiments of painting and calligraphy, and boldly create the lower branches of the crown and the opposite of the right-left tilt ups and downs of the trend, In the past, the shape of the patch-shaped partition of the pine crown was changed to a non-sheet-like, more natural, different-sized and dense form of bulk space.