随着社会的变革,时代的前进,画家们在创作中曾普遍地面临着一个课题:中国面如何革新,如何适应时代。 重复传统是没有前途的。中国画非变不可。但怎样”变”?这是需要不断总结经验,认真进行反思的。近年来围绕着“变”这个大课题,艺术家们曾呕心沥血,也各展本领。有的把“洋”搬来了,有的把“土”搬来了,也有的把“远古”,搬来了。外国的艺术,民间的传统,古代乃至原始的艺术,对于当代艺术的创造来说,都 With the change of the society and the advancing of the times, painters have generally faced with a topic in their creations: how to innovate in China and how to adapt to the times. There is no future for repeating tradition. Chinese painting can not be changed. But how to change? This is the need to constantly sum up experience, serious reflection. In recent years, focusing on the major issue of “change,” artists have made painstaking efforts and also demonstrated their skills. Some moved the “ocean”, some moved the “earth”, while others moved the “ancient” to it. Foreign art, folk traditions, ancient and even primitive art, for the creation of contemporary art, are